Ao No Exorcist Review

Developed from Dragonball, the shounen formula is a fairly consistent style of anime, considering the most well-known and popular shows tend to adhere to pattern – Naruto and Bleach for example. This is not without its drawback. Shounen animes (fighting ones in particular) are often long and overtly drawn out, having fighting sequences that can span for multi-episodes, which is especially tedious if they are unimportant to the major storyline, for instance a secondary or even a third-rate character fighting an inconsequential side villain. Not to mention the tedious and endless filler arcs.

Ao no Exorcist is not a radical leap from the shounen formula, not by any stretch of the imagination, in particular if you address the similarities between it and Bleach (which I will later on). Nevertheless there are several remarkable improvements to the tried and test formula. The most prominent is reduction of long-winded fighting scenes. Aside from the big bad square off during the final three episodes, most action is tamed to one or two episode parters and fights do not exceed themselves needlessly. Ultimately this means the audiences is not overloaded with violence, deterring away from the plot, which results in genuine tension since we are invested in the characters. As much as I like Bleach and Dragonball, Ichigo and Goku are fairly bland archetypal protagonists. Right from the get go we know if beaten both will eventually return stronger, even if killed (in the case of Goku).

A shorter, more concise series is beneficial to the filler episodes as well. Since in Ao no Exorcist these are singular, stand-alone episodes and therefore don’t come across forced. It’s actually pretty favourable to observe characters during their ‘off-days’, despite the limited use of the school backdrop. It really was a shame that the anime didn’t make full use of the school outside of the Exorcist classes. Of course this is comparable to Bleach and Dragonball, where the protagonists often leap from one epic adventure straight into another, living filler episodes (as mentioned prior) empty and forced comic-relief. Take the impending epic battle between Cell and instead of training Goku’s wife decides she wants him and his green alien training buddy Piccolo to learn how to drive. Really? I mean is that even a priority? It just seems so silly and out of place.

Onto the tropes! Unfortunately in the character department Ao no Exorcist does not excel, since it opts out for the safe approach. We have our main character, Rin, the son of Satan and like most protagonists, his birth right feels like the weight of the world on his shoulders. Nicely this is even pointed out plenty of times since Rin is often running head first into danger on his own. This is in part due to his heritage the need for secrecy but is a habit Rin finds hard to break. In comparison Ichigo (Bleach) has actually very little reason to the main protagonist. He only gets involved with the conflict after his two potential love interests are kidnapped, yet that seems enough to declare Aizen his enemy and take on the responsibility of stopping him. Whereas Rin’s reasoning is much more simplistic and holds more realism. Satan killed his father, Rin want’s revenge. It’s no wonder vengeance is such a high motivator; it effectively brings the conflict to a more personal level.

The secondary characters are where things don’t quite gel. We have the rival archetype Ryuji, doubling as potential love interest and healer archetypes Shiemi, the smart but haughty girl archetype Izumo, the shamelessly big chested-little clothing teacher archetype Shura (more common than you think, the good guy on the wrong side archetype Arthur August Angel and the mysterious, has additional motives archetypes Mephisto. While most of them are pretty harmless and even do a good job upholding their stereotype, others are woefully grating and just extend into plot devise territory – take Arthur August Angel as an prime example.

What gives Ao no Exorcist a real boost is the additional of Rin’s twin brother, Yukio. This enables the plot to reduce the pressure placed on Rin as primary protagonist and even at the end have a more balanced resolution. By getting rid of this lone-wolf complex, the anime enables a brotherly bond to be beautifully created and developed over time. There are one or two hiccups along the way, the sudden jerk as Yukio rapidly changes character feels a little stiff but this is quickly turned around.

On the disappointing side, the main villain was a colossal let down. The series spend a good deal of time introducing Satan as a bad arse and portraying him as a major player, then suddenly right at the end we received some crucial information that is supposed to flesh out the character from standard bad guy archetype – he’s got a I’m so lonely, I just want to be loved side. It doesn’t work, primarily because it flat out contradicts not just the original premise of the character but also their immediate actions. Making your character do a complete 180 is not adding depth.

Despite the ups and downs, Ao no Exorcist is a very strong show and has potential to be next big shounen anime. Alas there seems no secondary season in sight, through a movie is in the works. Perhaps this is for the best, let the manga develop first than have a second season. No filler seasons!

Rating: 8/10

A Channel & DOTSO Review

A Channel - Review

A show about the daily lives of four school girls might not seem very interesting on paper but in practice it’s moderately successful. This is because the anime focuses efficiently on the protagonists and on developing them as distinctive but not radically difference individuals. Of course this is not without flaws. Run, the resident cute airhead is borderline retarded. This is demonstrated numerous times but the clearest example is the instance in which Run nearly falls out of a three-story window whilst waving at her friend. That’s just natural selection surely? Or the time when she forgets to put on her underwear and flashes her friend, I mean how does this girl function in the real world? Evidently the creators are incapable of decipher between naïve and dumb. Another problem takes the form of not knowing who the target audience is. On the one hand the non-threatening female characters and their mini-escapades into the joys of friendship and growing up would suggest primarily young girls are the intended mark. Yet the often uncomfortable and somewhat sexualisation of their cuteness (take the underwear episode or the teacher with a crush on Run’s forehead) would suggest an older male demographic. Fortunately these are few and far between. In short if you want an enjoyable, simplistic, non-challenging anime to pass the time, A Channel delivers.

Rating: 5/10

Denpa Onna to Seishun Otoko – Review

With a name like Electromagnetic Wave Woman and Adolescent Man, you know this is going to be awesome right? With a premise of a young girl who is a self-proclaimed, futon-wearing alien, having been missing for half a year and later recovered floating in the sea; this isn’t going to be a chore to seat through. Well you’d be wrong on both accounts. DOTSO is just another cute-but-somehow-inept-female meets boy-void-of-personality. Rather than utilize the premise to its full potential, the anime prefers to exploit Erin’s backstory merely as a device to make her childlike and helpless, thus dependent on her male cousin. But perhaps the most insulting part is that we never learn what did happen to Erin, not even ambiguously. It’s never addressed, which renders the entire premise utterly pointless. The writers could have substituted a less outlandish backdrop – Erin was bullied at school and thus became a shut in, you could still have exactly the storylines. If fact that would make people’s reactions to her more convincing. Presumably the knowledge of her disappearance/reappearance was well known, any person with common sense would determine that the girl is suffering amnesia due to some form of trauma and take that into account before treating her like a social leper. Oh no, Erin generally fears returning to school and has trouble finding employment because people find her ‘weird’. Why? Erin wraps a futon around herself. Why? Because she is mental/emotionally traumatised! Why? Because she was missing for half a year! Or the brain-dead mother who doesn’t see fit to put her daughter in therapy, apparently she thinks Erin is going through a fad. Or maybe she is waiting for some generic male relation to come in save the day with optimism! And how does this marvellous series end? With an entire episode dedicated to a baseball game, which our hero is absent from as he has been sent on a random quest to locate the father of one of his miscellaneous friends. A filler episode! It ends on a filler episode. No, the entire series is a filler episode.

Rating: 4/10

Deadman Wonderland - Review

My first anime review of 2012 and it’s something that’s been on the backburner for quite a while. Deadman Wonderland is on the meh side of okay, despite being one of the few anime’s I’ve actually managed to finish since returning to the bustling university lifestyle. I chalk that up to the crisp animation more than the storyline, which I’ve had the most problems with.

Primarily Deadman Wonderland makes no sense. The story is inconsistent, its chief aim is to take the protagonist Ganta, a fourteen year old high school student out of the comfortable life his lead so far and screw around with him as much as possible. For instance, we are initially plummeted into a horrendous mass murder in which Ganta is the number one suspect. How do the authorities reach such a conclusion? He was the only living survivor. Yup, that’s it. I mean they don’t even wait for him to regain consciousness and give his sole survivor eye-witness account before putting him in handcuffs and charging him. Sloppy police work or part of a larger conspiracy? We don’t know because it’s never addressed. Nor is the fact that the warden of the super prison is moonlighting as Ganta’s lawyer; now surely that’s a conflict of interest? Or maybe the warden is in on the conspiracy? Nope, never addressed. Once Ganta is in the prison and this plot point has done its job, off it goes, never to be seen or heard from again.

Instead we’re introduced to Deadman Wonderland a prison/theme park/battle royale game. Complete with poisoners collars that kill off the prison population unless they eat the antidote (candy) every three days. Admittedly this is an interesting twist, because it gives the prisoners a reason to partake in dangerous sports, it’s quite literally a matter of life or death. But does the prison have a never ending supply of generically ‘bad’ criminals who are expendable? Surely this raises eyebrows? Nope, since the spectators think its fake, no one seems to question the body count. Convenient since it won’t be addressed again.

Half way through, the story takes its final leap into disbelief when Ganta discovers a secret prison underneath his own. One where people (like him) with special blood killing powers are pitted against each other semi-mortal kombat style, all the while shadowy agents watch. This just raises even more questions than it answers. Why do they have these powers? Why were they caught if they could clearly use they own blood as a weapon? Perhaps more importantly, can’t we think of better things to do with them rather than cage fight? Nope, not gonna answer these either.

Undeniably the latter half is the most exciting and feels the most organic, in that this is where the plot wanted Ganta originally. But it could have moved along much better and cleaner, instead of being wishy-washy. Unfortunately the series is only 12 episodes long and I have a feeling that many of the unanswered questions would have been brought up later in the show. Too bad there isn’t a season two in sight.

Rating: 6/10

The Gintama x EXILIM camera, a digital camera where you can take pictures of yourself with characters from Gintama, can be purchased by made-to-order.

*wants*

The anime Tiger & Bunny will get its theatrical release in 2012!!

Madoka Magica film adaptation

The “Puella Magi Madoka Magica” film adaptation project has begun!

Gosick - Review

Gosick finally draws to a close and still I don’t know what to make of it. The entire series inhibited a perpetual state of good moments succeeded by weak moments. The overall inability to remain constant – either good or bad, really let the show down as a whole. Gosick would have certainly benefited from a little more editing and a lot more sense-making! Chuck out the uninspired mush and condense the finer episodes and Gosick would have received a higher rating. Through that still would not have explained the show’s title – what exactly is ‘Gosick’?

In general Gosick lacked direction, seemingly unable to know what genre it was from the very get go. Initially we are introduced to an ‘unravelled the mystery’ plot, composed of a little light school drama and potential romance, before leaping full throttle into adventure, love triangles and the occult. The opening gambit was particularly substandard, the mystery element, lead by the main protagonist, the genius moe-detective Victorique was nothing short of disappointing due to the tiny detail that Victorique is not a genius, every other character is just remarkably dumb. The primary mysteries are ludicrously easy to solve that the only aspect to leaving the viewer in wonder, is whether or not the rest of the cast will cotton on. As the series progresses, the mysteries interweave and the bigger picture has a lot more too often, albeit a lot more convoluted activity.

Nevertheless the series did offer something worthwhile in the form of the oh-so-adorable Victorique. Wonderfully well written and superbly executed, Victorique more than carried the series, especially considering her supporting cast. Gosick fell into the trap of accompanying its leading lady with a hero completely void of a personality that his only faculty seemed to be screeching Victorique’s name at any given opportunity. Other than his ‘Japanese sense of honour’ Kujo has no real purpose to befriend Victorique nor is there any chemistry between them as heavily implied love interests. It’s a shame that within 24 episodes the writing staff was not able to develop this character is to someone vaguely three dimensional. There were nevertheless much more badly written and annoying characters throughout this series, all eggs were undoubtedly placed in the basket marked Victorique.

Rating: 6.5/10