Tuesday 10 September 2013

Baka to Test to Shoukanjuu

Wow. Just wow.

I don’t think my opinion of an anime has ever changed so drastically within the space of a few episodes. Wow…

In the beginning I had high hopes for Baka to Test to Shoukanjuu. The concept alone was pretty interesting and with the right development could have been a compelling taken on school streaming and to a certain extent classism. The primary plot concerns the ranking of students by their academic ability into A-F sets, something commonplace in the UK, but apparently rare in Japan. Not that the lower sets receive additional support or supervision mind, just substantially less privileges. In the case of the bottom set, Class F, a run-down classroom, complete with old broken furniture (desks that later get replaced with cardboard boxes) and broken windows. Cos those conditions will really motivate students!  So, the students of Class F (all six of them) decide their going to challenge the system and “declare war” on the other sets. Honestly, I really like this pitch. If it had had an ounce more of thought or if it had followed actually through with this set up, then I would probably be singing a different tune right about now.

So, episode one, Class F declare war on Class E. And its goofy and silly and over the top, and they win. Huzzah! In episode two, a shocking twist of events, Class A declares war on Class F, and Class F lose! Oh well, didn’t expect them to complete their task by the second episode! And that that’s for eight straight episodes… I am dead serious. Apparently there’s a rule that the losing set cannot declare war for three months, so the main plot pretty much stops. Instead fuck all happens for eight episodes. Eight inane, grating episodes. Presumably this is supposed to pass for character development, but it’s so fucking derivative. There’s even a god-damn pool episode! This has fuck all to do with anything.

Onto the characters, they range from tolerable to fucking diabolical. The main character is a perpetual child and screeching moron. The love-interests are so underwhelming, and the fucking ninja-pervert….please die. Most of the jokes fall flat because they are the same one note repeated at nausea. Girl has flat chest, guy looks like girl, everyone has their own stalker, ninja-pervert takes a panty shot, and it’s a non-stop laugh riot! For all of five minutes. The fact remains that we’ve seen this format before and done better. And it wasn’t all that funny then either. The problem is that the characters are not invested. We as the audience are supposed to root for these characters, because they are the underdogs, because the system is unfair, and because they are treated badly. But that’s rarely shown because that is not what interests the writers. The protagonists are not crusading for equality. They just want the entitlements awarded to the higher sets. Without any of the work. They not only support the system, they want to benefit from it. And frankly, that’s not something I can get behind.

So… yeah I didn’t much enjoy this one.

Rating: 4/10


Monday 9 September 2013

Kamisama no Memochou (Heaven’s Memo Pad)



Returning to Kamisama no Memochou after several months’ hiatus, was a tad surprising. Surprising in a good way, in that the anime had had any sort of lasting impression. That’s not to say that Heaven’s Memo Pad is by any means a bad or even an uninspired anime. Quite the opposite in fact. Especially consider the rather tired and overused premise it has to work with. Hmm, I wonder it that could be part of the problem. In short, I was not expecting Kamisama no Memochou to turn out to be good and memorable at the same time.

As mentioned prior, it’s the premise that is the shows ultimate chink in its armour. Moe-detective and generic-male assistant solve crimes! Oh and the moe-detective has an English name. And she’s supposed to be super adorable but it translates as arrogant and annoying. And the male is bland. And he has a love interest. Who is also bland. It’s insipid and it’s been done to death! Comparing this momentarily with its more recent predecessor Gosick, on the surface neither anime has differs substantially in terms of concept. But whereas Gosick puts very little thought into its individual mysteries, or developing the relationship between the two protagonists, instead opting to be entertaining as oppose to thought-provoking. Kamisama no Memochou takes the same premise and actually turns it into something good. And the title makes more sense than ‘Gosick’.

The series complies several murder mysteries (and a baseball game) into 12 episodes. The length of each mystery varies between two to four episodes. Each one is beautifully written and delivered, with an unexpected amount of substance attached. Perhaps the most heart-wrenchingly touching is the final story arc, since it centres on the attempted suicide of a pivotal cast member. And it doesn’t get an easy wrap-up. None of the mysteries do because some moments in life are just that complicated and joyless. And solving the mystery doesn’t change the course of events, ultimately it doesn’t rewrite the wrong. There are no easy answers and Kamisama no Memochou does an excellent job of phoning that in. In that, it is a thoroughly satisfying work of art.




Protagonists Narumi Fujishima and Alice are stereotypical sure, but not so rigid. Narumi is not the typical saintly male lead as often is portrayed. Naïve yes, but also all too human in some places, in particular the final storyline which deals a fair amount of crap his way. Alice probably gets the rawest deal as her character never truly grows. Still, she never crosses over to full on annoying and her powers of deduction remain consistent. She is smart but not omniscient. The remaining supporting cast do an outstanding job of being both contrived and interesting. They tend not to play on their stereotypes, offering layers and more dynamicity. Interestingly, while the cast as a whole is more subdued, they don’t come across as dull or one-dimensional. They come across as real people.

In all, Kamisama no Memochou is refreshing. It’s intelligently written and executed, the characters are well-rounded and likeable, and it is capable of producing genuine emotion (especially during the final storyline). It’s a pity that the show only made 12 episodes…


Rating: 8/10